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Speedboat Renata Adler Eve’s Hollywood Eve Babitz Cassandra at the Wedding Dorothy Baker Pretend I’m Dead Jen Beagin the buddhist Dodie Bellamy Maidenhead Tamara Faith Berger Nevada Imogen Binnie Nine Months Paula Bomer Inside Madeleine Paula Bomer Scarecrone Melissa Broder Broken Glass Park Alina Bronsky The Terrible Girls Rebecca Brown "My voice stayed even through this, but I wasn’t trying. It was this thing still inside me- this quiet that had hold of my limbs and seemed to be running the rest of me." -Heather Lewis, Notice I’m Trying To Reach You Barbara Browning The Correspondence Artist Barbara Browning The Gift Barbara Browning I’ll Tell You In Person Chloe Caldwell Glory Goes and Gets Some Emily Carter Prostitute Laundry Charlotte Shane I Love Dick Chris Kraus Who Was Changed and Who Was Dead Barbara Comyns Our Spoons Came From Woolworths Barbara Comyns Margaret the First Danielle Dutton King Kong Theory Virginie Despentes Lightning Rods Helen DeWitt "Have you ever had your heart broken? It’s something that instills a great sense of dread, and it colours everything that happens afterwards in an endless, linear, slow motion. And I hate linearity. It bores everyone." -Trisha Low, The Compleat Purge Making Scenes Adrienne Eisen Black Cloud Juliet Escoria The Days of Abandonment Elena Ferrante My Brilliant Friend Elena Ferrante Playing the Whore: The Work of Sex Work Melissa Gira Grant One More for the People Martha Grover Painting Their Portraits In Winter Myriam Gurba Mean Myriam Gurba Pity the Animal Chelsea Hodson Meaty Samantha Irby Problems Jade Sharma Thérèse and Isabelle Violette Leduc "Be careful of people who feel weak, I think. Because it's possible that one day they'll want to feel strong and you'll never recover from it. Maybe that's a thought to add to my file." from Broken Glass Park, by Alina Bronsky Temporary Hilary Leichter Notice Heather Lewis Yokohama Threeway Beth Lisick The Compleat Purge Trisha Low Socialist Realism Trisha Low Things to Make and Break May-Lan Tan Inferno (a poet’s novel) Eileen Myles Surveys Natasha Stagg The Autobiography of Daniel J. Isengart Filip Noterdaeme Sempre Susan Sigrid Nunez After Claude Iris Owens Dead Horse Niina Pollari "It didn’t look like a key. It was just a little bent piece of metal and though I tried it on my own wrist a few times and it worked, the thought of being handcuffed to the bedposts in this yellow house scared me, even if the people who owned it edited radical books." -Ann Rower, Lee and Elaine Mercury Ariana Reines Lee and Elaine Ann Rower Promising Young Women Suzanne Scanlon Her 37th Year: An Index Suzanne Scanlon Empathy Sarah Schulman Loitering With Intent Muriel Spark No Regrets Dayna Tortoricci Lolly Willowes Sylvia Townsend Warner Animals Emma Jane Unsworth How To Get Into the Twin Palms Karolina Waclawiak My Body Is a Book of Rules Elissa Washuta No More Nice Girls Ellen Willis Language, as she deployed it, was neither a line cast nor a bullet fired. It was a catholic mechanism: the sharp twist of a pilot biscuit into the waifish body of a christ. A word, placed on her tongue, became flesh. One night it was almost morning, I could almost see her, every sentence a necklace she was pulling out of her mouth, tangled in smoke. From Things to Make and Break, by May-Lan Tan The Selected Jenny Zhang Jenny Zhang The Wallcreeper Nell Zink
"My voice stayed even through this, but I wasn’t trying. It was this thing still inside me- this quiet that had hold of my limbs and seemed to be running the rest of me." -Heather Lewis, Notice
"Have you ever had your heart broken? It’s something that instills a great sense of dread, and it colours everything that happens afterwards in an endless, linear, slow motion. And I hate linearity. It bores everyone." -Trisha Low, The Compleat Purge
"Be careful of people who feel weak, I think. Because it's possible that one day they'll want to feel strong and you'll never recover from it. Maybe that's a thought to add to my file." from Broken Glass Park, by Alina Bronsky
"It didn’t look like a key. It was just a little bent piece of metal and though I tried it on my own wrist a few times and it worked, the thought of being handcuffed to the bedposts in this yellow house scared me, even if the people who owned it edited radical books." -Ann Rower, Lee and Elaine
Language, as she deployed it, was neither a line cast nor a bullet fired. It was a catholic mechanism: the sharp twist of a pilot biscuit into the waifish body of a christ. A word, placed on her tongue, became flesh. One night it was almost morning, I could almost see her, every sentence a necklace she was pulling out of her mouth, tangled in smoke. From Things to Make and Break, by May-Lan Tan